Saturday, March 23, 2019

"THE NEED"--from author Helen Phillips--a thriller about a woman who grapples with the complex dualities of motherhood—joy and dread, tenderness and anxiety—after confronting a masked intruder in her home

The Need



There were footsteps in the other room...

So begins The Need, a sharp and haunting exploration of the joys and perils of modern motherhood. Molly is a paleobotanist who spends her days working at a fossil quarry where she sometimes unearths artifacts that defy understanding, including a controversial Bible that has recently attracted gawkers and conspiracy theorists. By night, she cares for her two young children—four-year-old Viv and one-year-old Ben—while her musician husband is away on tour. She’s frazzled, sleep-deprived, and it seems the edges of her reality blur more each day.

When she hears an intruder in the house, Molly is desperate to keep her children safe. She confronts the figure in the deer mask—and discovers that this stranger knows everything about Molly and her family. Molly fears the most sinister motives even as she reluctantly, terrifyingly, acquiesces to the intruder’s demands. What happens once she learns the true identity of the trespasser is chilling and otherworldly.

With tight, gorgeous prose and the urgent pacing of the best psychological thrillers, Helen Phillips unfurls a story that is at once cerebral and transcendent. The Need toggles between Molly’s surreal work life and her harrowing home life, excavating deep truths about modern motherhood even as it poses provocative questions about the nature of the universe and the ethics of empathy. The hopes and heartaches of parenthood exposed in these pages, coupled with the gripping sci-fi speculation, makes for a haunting, propulsive, and unforgettable read from an author The New York Times calls “breathtaking and wondrous.”



PRAISE FOR THE NEED BY HELEN PHILLIPS

From the award-winning author of The Beautiful Bureaucrat, comes a subversive genre-busting thriller about a woman who grapples with the complex dualities of motherhood—joy and dread, tenderness and anxiety—after confronting a masked intruder in her home.

"Suspenseful and mysterious, insightful and tender, Phillips' new thriller cements her standing as a deservedly celebrated author with a singular sense of story and style… [A] superbly engaging read—quirky, perceptive, and gently provocative. An intruder upends the life of a young mother and paleobotanist, prompting her to recalibrate her relationships with her family, her work, and, most importantly, herself. Phillips' fugue-like novel, in which the protagonist's tormentor may be either other or self, is a parable of parenting and the anxieties that prey on mothers and fathers, amplified by exhaustion, sleeplessness, the weight of responsibility, and shifting identities and roles. Molly may be losing her marbles, but we can't help rooting for her to find herself. While Phillips' exquisitely existential The Beautiful Bureaucrat (2015) found humanity, love, and hope in a dark, dystopian world, this novel locates them in the routine aspects of child-rearing, capturing not only the sense of loss and fear that often attends parenting, but also the moments of triumph and bliss."KIRKUS REVIEWS (STARRED REVIEW)

"The Need is a profound meditation on the nature of reality, a fearless examination of parenthood, and also somehow a thriller. This is an extraordinary and dazzlingly original work from one of our most gifted and interesting writers."EMILY ST. JOHN MANDEL



Helen Phillips


Helen          Phillips

Helen Phillips is the author of four books: the novel THE BEAUTIFUL BUREAUCRAT (a New York Times Notable Book of 2015 and a finalist for the Los Angeles Times Book Prize and the New York Public Library Young Lions Award), the short story collection SOME POSSIBLE SOLUTIONS, the collection AND YET THEY WERE HAPPY (named a notable book by The Story Prize), and the middle-grade adventure novel HERE WHERE THE SUNBEAMS ARE GREEN. She is the recipient of a Rona Jaffe Foundation Writer’s Award and the Italo Calvino Prize. Her work has appeared in the Atlantic Monthly, the New York Times, and Tin House, and on Selected Shorts.  


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