“Moving . . . A constant pleasure to read . . . Everybody who loves books should check out
The Library Book. . . . Orlean,
a longtime New Yorker writer, has been captivating us with human
stories for decades, and her latest book is a wide-ranging, deeply
personal, and terrifically engaging investigation of humanity’s bulwark
against oblivion: the library. . . . As a narrator, Orlean moves like
fire herself, with a pyrotechnic style that smolders for a time over
some ancient bibliographic tragedy, leaps to the latest technique in
book restoration, and then illuminates the story of a wildly eccentric
librarian. Along the way, we learn how libraries have evolved, responded
to depressions and wars, and generally thrived despite a constant
struggle for funds. Over the holidays, every booklover in America is
going to give or get this book. . . . You can’t help but finish
The Library Book and feel grateful that these marvelous places belong to us all.”
—Ron Charles, The Washington Post“A
sheer delight. . . . Orlean has created a book as rich in insight and
as varied as the treasures contained on the shelves in any local
library.”
—Chris Woodyard, USA Today“Exquisitely
written, consistently entertaining . . . A loving tribute not just to a
place or an institution but to an idea . . . What makes
The Library Book
so enjoyable is the sense of discovery that propels it, the buoyancy
when Orlean is surprised or moved by what she finds. . . . Her depiction
of the Central Library fire on April 29, 1986, is so rich with
specifics that it’s like a blast of heat erupting from the page. . . .
The Library Book
is about the fire and the mystery of how it started—but in some ways
that’s the least of it. It’s also a history of libraries, and of a
particular library, as well as the personal story of Orlean and her
mother, who was losing her memory to dementia while Orlean was
retrieving her own memories by writing this book.”
—Jennifer Szalai, The New York Times“Captivating
. . . A delightful love letter to public libraries . . . In telling the
story of this one library, Orlean reminds readers of the spirit of them
all, their mission to welcome and equalize and inform, the wonderful
depths and potential that they—and maybe all of us, as well—contain. . .
. In other hands the book would have been a notebook dump, packed with
random facts that weren’t germane but felt too hard-won or remarkable to
omit. Orlean’s lapidary skills include both unearthing the data and
carving a storyline out of the sprawl, piling up such copious and
relevant details that I wondered how many mountains of research she
discarded for each page of jewels.”
—Rebekah Denn, Christian Science Monitor“A
flitting and meandering masterpiece . . . Compelling and undeniably
riveting . . . This is a joyful book, and among its many pleasures is
the reader’s ability to palpate the author’s thrill as she zooms down
from stratospheric viewings of history, to viscerally detailed
observations of events and people, and finally to the kind of
irresistibly offbeat facts that create an equally irresistible portrait
of the author herself.”
—J. C. Hallman, San Francisco Chronicle“Vivid
. . . Compelling . . . Ms. Orlean interweaves a memoir of her life in
books, a whodunit, a history of Los Angeles, and a meditation on the
rise and fall and rise of civic life in the United States. . . . By
turns taut and sinuous, intimate and epic, Ms. Orlean’s account evokes
the rhythms of a life spent in libraries . . . bringing to life a place
and an institution that represents the very best of America: capacious,
chaotic, tolerant and even hopeful, with faith in mobility of every
kind, even, or perhaps especially, in the face of adversity.”
—Jane Kamenski, The Wall Street Journal“[A] loving encomium to libraries everywhere.”
—Sue Halpern, The New York Review of Books“A
lovely book . . . Susan Orlean has once again found rich material where
no one else has bothered to look for it. . . . Once again, she’s
demonstrated that the feelings of a writer, if that writer is
sufficiently talented and her feelings sufficiently strong, can supply
her own drama. You really never know how seriously interesting a subject
might be until such a person takes a serious interest in it.”
—Michael Lewis, New York Times Book Review“A
book lover’s dream . . . This is an ambitiously researched, elegantly
written book that serves as a portal into a place of history, drama,
culture, and stories.”
—Jeffrey Ann Goudie, Minneapolis Star Tribune“When Susan Orlean fishes for a story, she reels in a hidden world. And so the latest delightful trawl from the author of
Rin Tin Tin and
The Orchid Thief starts with the tale of the 1986 fire that damaged or destroyed 700,000 books in the Los Angeles Central Library. But
The Library Book pans
out quickly to the fractious, eccentric history of the institution and
then, almost inevitably, a reflection on the past, present, and future
of libraries in America. Orlean follows the narrative in all directions,
juxtaposing the hunt for the library arsonist—possibly a frustrated
actor—with a philosophical treatise on why and how libraries became the
closest thing many of us experience to a town hall.”
—Hillary Kelly, New York Magazine
Susan Orlean
I'm the product of a happy and
uneventful childhood in the suburbs of Cleveland, followed by a happy
and pretty eventful four years as a student at University of Michigan.
From there, I wandered to the West Coast, landing in Portland, Oregon,
where I managed (somehow) to get a job as a writer. This had been my
dream, of course, but I had no experience and no credentials. What I did
have, in spades, was an abiding passion for storytelling and
sentence-making. I fell in love with the experience of writing, and I've
never stopped. From Portland, I moved to Boston, where I wrote for the
Phoenix and the Globe, and then to New York, where I began writing for
magazines, and, in 1987, published my first piece in The New Yorker.
I've been a staff writer there since 1992.
http://www.susanorlean.com/
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