Circling the Sun
Circling the Sun brings to life a fearless and captivating woman—Beryl Markham, a record-setting aviator caught up in a passionate love triangle with safari hunter Denys Finch Hatton and Karen Blixen, who as Isak Dinesen wrote the classic memoir Out of Africa.
Brought to Kenya from England as a child and then abandoned by her mother, Beryl Markham is raised by both her father and the native Kipsigis tribe who share his estate. Her unconventional upbringing transforms Beryl into a bold young woman with a fierce love of all things wild and an inherent understanding of nature’s delicate balance. But even the wild child must grow up, and when everything Beryl knows and trusts dissolves, she is catapulted into a string of disastrous relationships. Beryl forges her own path as a horse trainer, and her uncommon style attracts the eye of the Happy Valley set, a decadent, bohemian community of European expats who also live and love by their own set of rules. But it’s the ruggedly charismatic Denys Finch Hatton who ultimately helps Beryl navigate the uncharted territory of her own heart. The intensity of their love reveals Beryl’s truest self and her fate: to fly.
Reviews
“Paula McLain is considered the new star of historical fiction, and for good reason. Fans of The Paris Wife will be captivated by Circling the Sun, which . . . is both beautifully written and utterly engrossing.”—Ann Patchett, Country Living
“Paula McLain cements herself as the writer of historical fictional memoir with Circling the Sun, giving vivid voice to Beryl Markham, a singular, extraordinary woman. In McLain’s confident hands, Markham crackles to life, and we readers truly understand what made a woman so far ahead of her time believe she had the power to soar.”—Jodi Picoult, author of Leaving Time
“Enchanting . . . A worthy heir to [Isak] Dinesen, McLain will keep you from eating, sleeping, or checking your e-mail—though you might put these pages down just long enough to order airplane tickets to Nairobi. . . . What’s certain is that the reluctantly earthbound armchair reader will cherish this gift for the hidden adventurer in all of us. Like Africa as it’s so gorgeously depicted here, this novel will never let you go.”—The Boston Globe
“Famed aviator Beryl Markham is a novelist’s dream. . . . [A] wonderful portrait of a complex woman who lived—defiantly—on her own terms.”—People (Book of the Week)
“Circling the Sun soars.”—Newsday
“Captivating . . . [an] irresistible novel.”—The Seattle Times
“Like its high-flying subject, Circling the Sun is audacious and glamorous and hard not to be drawn in by. Beryl Markham may have married more than once, but she was nobody’s wife.”—Entertainment Weekly
“[An] eloquent evocation of Beryl’s daring life.”—O: The Oprah Magazine
“Richly textured . . . Markham’s life is the stuff of legend. . . . McLain has created a voice that is lush and intricate to evoke a character who is enviably brave and independent.”—NPR
“Bold, absorbing fiction.”—New York Daily News
“Paula McLain has such a gift for bringing characters to life. I loved discovering the singular Beryl Markham, with all her strengths and passions and complexities, a woman who persistently broke the rules, despite the personal cost. She’s a rebel in her own time, and a heroine for ours.”—Jojo Moyes, author of Me Before You
“By the last pages, readers will hate to say goodbye to such an irresistible narrator.”—Miami Herald
“Paula McLain brings Beryl to glorious life, portraying a woman with a great many flaws that seem to result from her zest for life and inability to follow the roles expected of women in the 1920s and ’30s.”—St. Louis Post-Dispatch
“Amelia Earhart gets all the airtime, but this pilot had the juicier past. . . . McLain crafts a story readers won’t soon forget.”—Good Housekeeping
“With a sharp eye for detail and style to spare, Paula McLain captures the nuances of complex relationships, the rigidity of social conventions, and the wide skies and breathtaking vistas of Africa.”—Christina Baker Kline, author of Orphan Train
“Set in 1920s Kenya, this fictionalized history of the beautiful, high-flying aviator Beryl Markham is as luminous as its headstrong heroine. An exhilarating ride.”—Family Circle
“Paula McLain is yet another twenty-first-century woman who can write rings around the hyper-masculine men who dominate so much of American fiction.”—Liz Smith
“McLain’s skill at blending fact and fiction, which dazzled readers in The Paris Wife, is on full display. . . . Circling the Sun is a masterful story of hardship, courage and love.”—Shelf Awareness
The Paris Wife
A deeply evocative story of ambition and betrayal, The Paris Wife captures a remarkable period of time and a love affair between two unforgettable people: Ernest Hemingway and his wife Hadley.
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has all but given up on love and happiness—until she meets Ernest Hemingway and her life changes forever. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group—the fabled “Lost Generation”—that includes Gertrude Stein, Ezra Pound, and F. Scott and Zelda Fitzgerald.
Though deeply in love, the Hemingways are ill prepared for the hard-drinking and fast-living life of Jazz Age Paris, which hardly values traditional notions of family and monogamy. Surrounded by beautiful women and competing egos, Ernest struggles to find the voice that will earn him a place in history, pouring all the richness and intensity of his life with Hadley and their circle of friends into the novel that will become The Sun Also Rises. Hadley, meanwhile, strives to hold on to her sense of self as the demands of life with Ernest grow costly and her roles as wife, friend, and muse become more challenging. Despite their extraordinary bond, they eventually find themselves facing the ultimate crisis of their marriage—a deception that will lead to the unraveling of everything they’ve fought so hard for.
A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley.
"McLain offers a vivid addition to the complex-woman-behind-the-legendary-man genre, bringing Ernest Hemingway and his first wife, Hadley Richardson, to life . . . McLain ably portrays the cultural icons of the 1920s--Gertrude Stein and Alice B. Toklas, Zelda and Scott Fitzgerald, and Ezra and Dorothy Pound--and the impact they have on the then unknown Hemingway, casting Hadley as a rock of Gibraltar for a troubled man whose brilliance and talent were charged and compromised by his astounding capacity for alcohol and women . . . The heart of the story--Ernest and Hadley's relationship--gets an honest reckoning, most notably the waves of elation and despair that pull them apart." -- "Publishers Weekly"
"McLain smartly explores Hadley's ambivalence about her role as supportive wife to a budding genius. . . . Women and book groups are going to eat up this novel." "USA Today"
"A beautiful portrait of being in Paris in the glittering 1920s. . . . McLain's vivid, clear-voiced novel is a conjecture, an act of imaginary autobiography on the part of the author. Yet her biographical and geographical research is so deep, and her empathy for the real Hadley Richardson so forthright (without being intrusively femme partisan), that the account reads as very real indeed.-"Entertainment Weekly"
“McLain smartly explores Hadley's ambivalence about her role as supportive wife to a budding genius.... Women and book groups are going to eat up this novel.” —USA Today
“Written much in the style of Nancy Horan's Loving Frank ... Paula McLain's fictional account of Hemingway's first marriage beautifully captures the sense of despair and faint hope that pervaded the era and their marriage.” —Associated Press
“Lyrical and exhilarating . . . McLain offers a raw and fresh look at the prolific Hemingway. In this mesmerizing and helluva-good-time novel, McLain inhabits Richardson’s voice and guides us from Chicago—Richardson and Hemingway’s initial stomping ground—to the place where their life together really begins: Paris.”—Elle
“McLain’s vivid account of the couple’s love affair and expat adventures will leave you feeling sad yet dazzled.” —Parade
“Told in the voice of Ernest Hemingway’s first wife, The Paris Wife, by Paula McLain, is a richly imagined portrait of bohemian 1920s Paris, and of America literature’s original bad boy.” —Town & Country
“Novelist and memoirist Paula McLain traces the life of Hadley Hemingway, first wife of Ernest Hemingway, in this evocative novel set largely in Paris in the Jazz Age.” —Christian Science Monitor
“McLain's novel not only gives Hadley a voice, but one that seems authentic and admirable.... A certain amount of bravery is required in writing a novel that channels a giant of American literature. Yet McLain pulls it off convincingly, conveying Hemingway's interior life and his profound struggles. She makes a compelling case that Hadley was a crucial (and long-lasting) influence on Hemingway's writing life: a partner as well as a cheerleader. She also revisits, with remarkable detail, a singular era in history, one that would produce some of the greatest literary works of the 20th century.” —Newsday
“Engrossing and heartbreaking.... McLain is masterful at mining Hadley's confusion and pain, her crushing realization that she cannot fight for a love that has already disappeared.” —Cleveland Plain Dealer
“A well-crafted novel ... Paula McLain is a master at creating narratives that are so lively, they seem to leap from the printed page.” —Tucson Citizen
“One of the most important books of this year. McLain is a novelist to watch.” —Naples Daily News
"The Paris Wife is mesmerizing. Hadley Hemingway’s voice, lean and lyrical, kept me in my seat, unable to take my eyes and ears away from these young lovers. Paula McLain is a first-rate writer who creates a world you don’t want to leave. I loved this book." —Nancy Horan, New York Times bestselling author of Loving Frank
"After nearly a century, there is a reason that the Lost Generation and Paris in the 1920’s still fascinate. It was a unique intersection of time and place, people and inspiration, romance and intrigue, betrayal and tragedy. The Paris Wife brings that era to life through the eyes of Hadley Richardson Hemingway, who steps out of the shadows as the first wife of Ernest, and into the reader’s mind, as beautiful and as luminous as those extraordinary days in Paris after the Great War." —Mary Chapin Carpenter, singer and songwriter
“Despite all that has been written about Hemingway by others and by the man himself, the magic of The Paris Wife is that this Hemingway and this Paris, as imagined by Paula McLain, ring so true I felt as if I was eavesdropping on something new. As seen by the sure and steady eye of his first wife, Hadley, here is the spectacle of the man becoming the legend set against the bright jazzed heat of Paris in the 20s. As much about life and how we try and catch it as it is about love even as it vanishes, this is an utterly absorbing novel.” —Sarah Blake, New York Times bestselling author of The Postmistress
The bestselling author of The Paris Wife returns to the subject of Ernest Hemingway in a novel about his passionate, stormy marriage to Martha Gellhorn—a fiercely independent, ambitious young woman who would become one of the greatest war correspondents of the twentieth century
In 1937, twenty-eight-year-old Martha travels alone to Madrid to report on the atrocities of the Spanish Civil War and becomes drawn to the stories of ordinary people caught in devastating conflict. She also finds herself unexpectedly—and uncontrollably—falling in love with Hemingway, a man already on his way to becoming a legend. In the shadow of the impending Second World War, and set against the tumultuous backdrops of Madrid, Finland, China, Key West, and especially Cuba, where Martha and Ernest make their home, their relationship and professional careers ignite. But when Ernest publishes the biggest literary success of his career, For Whom the Bell Tolls, they are no longer equals, and Martha must make a choice: surrender to the confining demands of being a famous man's wife or risk losing Ernest by forging a path as her own woman and writer. It is a dilemma that will force her to break his heart, and her own.
“Wonderfully evocative . . . This is historical fiction at its best, and today’s female readers will be encouraged by Martha, who refuses to be silenced or limited in a time that was harshly repressive for women.”—Library Journal (starred review)
“Paula McLain cements herself as the writer of historical fictional memoir with Circling the Sun, giving vivid voice to Beryl Markham, a singular, extraordinary woman. In McLain’s confident hands, Markham crackles to life, and we readers truly understand what made a woman so far ahead of her time believe she had the power to soar.”—Jodi Picoult, author of Leaving Time
“Enchanting . . . A worthy heir to [Isak] Dinesen, McLain will keep you from eating, sleeping, or checking your e-mail—though you might put these pages down just long enough to order airplane tickets to Nairobi. . . . What’s certain is that the reluctantly earthbound armchair reader will cherish this gift for the hidden adventurer in all of us. Like Africa as it’s so gorgeously depicted here, this novel will never let you go.”—The Boston Globe
“Famed aviator Beryl Markham is a novelist’s dream. . . . [A] wonderful portrait of a complex woman who lived—defiantly—on her own terms.”—People (Book of the Week)
“Circling the Sun soars.”—Newsday
“Captivating . . . [an] irresistible novel.”—The Seattle Times
“Like its high-flying subject, Circling the Sun is audacious and glamorous and hard not to be drawn in by. Beryl Markham may have married more than once, but she was nobody’s wife.”—Entertainment Weekly
“[An] eloquent evocation of Beryl’s daring life.”—O: The Oprah Magazine
“Richly textured . . . Markham’s life is the stuff of legend. . . . McLain has created a voice that is lush and intricate to evoke a character who is enviably brave and independent.”—NPR
“Bold, absorbing fiction.”—New York Daily News
“Paula McLain has such a gift for bringing characters to life. I loved discovering the singular Beryl Markham, with all her strengths and passions and complexities, a woman who persistently broke the rules, despite the personal cost. She’s a rebel in her own time, and a heroine for ours.”—Jojo Moyes, author of Me Before You
“By the last pages, readers will hate to say goodbye to such an irresistible narrator.”—Miami Herald
“Paula McLain brings Beryl to glorious life, portraying a woman with a great many flaws that seem to result from her zest for life and inability to follow the roles expected of women in the 1920s and ’30s.”—St. Louis Post-Dispatch
“Amelia Earhart gets all the airtime, but this pilot had the juicier past. . . . McLain crafts a story readers won’t soon forget.”—Good Housekeeping
“With a sharp eye for detail and style to spare, Paula McLain captures the nuances of complex relationships, the rigidity of social conventions, and the wide skies and breathtaking vistas of Africa.”—Christina Baker Kline, author of Orphan Train
“Set in 1920s Kenya, this fictionalized history of the beautiful, high-flying aviator Beryl Markham is as luminous as its headstrong heroine. An exhilarating ride.”—Family Circle
“Paula McLain is yet another twenty-first-century woman who can write rings around the hyper-masculine men who dominate so much of American fiction.”—Liz Smith
“McLain’s skill at blending fact and fiction, which dazzled readers in The Paris Wife, is on full display. . . . Circling the Sun is a masterful story of hardship, courage and love.”—Shelf Awareness
The Paris Wife
A deeply evocative story of ambition and betrayal, The Paris Wife captures a remarkable period of time and a love affair between two unforgettable people: Ernest Hemingway and his wife Hadley.
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has all but given up on love and happiness—until she meets Ernest Hemingway and her life changes forever. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group—the fabled “Lost Generation”—that includes Gertrude Stein, Ezra Pound, and F. Scott and Zelda Fitzgerald.
Though deeply in love, the Hemingways are ill prepared for the hard-drinking and fast-living life of Jazz Age Paris, which hardly values traditional notions of family and monogamy. Surrounded by beautiful women and competing egos, Ernest struggles to find the voice that will earn him a place in history, pouring all the richness and intensity of his life with Hadley and their circle of friends into the novel that will become The Sun Also Rises. Hadley, meanwhile, strives to hold on to her sense of self as the demands of life with Ernest grow costly and her roles as wife, friend, and muse become more challenging. Despite their extraordinary bond, they eventually find themselves facing the ultimate crisis of their marriage—a deception that will lead to the unraveling of everything they’ve fought so hard for.
A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley.
Reviews
"McLain creates a compelling, spellbinding portrait of a marriage. . . .
Women of all ages and situations will sympathize as they follow this
seemingly charmed union to its inevitable demise. Colorful details of
the expat life in Jazz Age Paris, combined with the evocative story of
the Hemingways' romance, result in a compelling story that will
undoubtedly establish McLain as a writer of substance. Highly
recommended for all readers of popular fiction." -- "Library Journal"
"McLain offers a vivid addition to the complex-woman-behind-the-legendary-man genre, bringing Ernest Hemingway and his first wife, Hadley Richardson, to life . . . McLain ably portrays the cultural icons of the 1920s--Gertrude Stein and Alice B. Toklas, Zelda and Scott Fitzgerald, and Ezra and Dorothy Pound--and the impact they have on the then unknown Hemingway, casting Hadley as a rock of Gibraltar for a troubled man whose brilliance and talent were charged and compromised by his astounding capacity for alcohol and women . . . The heart of the story--Ernest and Hadley's relationship--gets an honest reckoning, most notably the waves of elation and despair that pull them apart." -- "Publishers Weekly"
"McLain smartly explores Hadley's ambivalence about her role as supportive wife to a budding genius. . . . Women and book groups are going to eat up this novel." "USA Today"
"A beautiful portrait of being in Paris in the glittering 1920s. . . . McLain's vivid, clear-voiced novel is a conjecture, an act of imaginary autobiography on the part of the author. Yet her biographical and geographical research is so deep, and her empathy for the real Hadley Richardson so forthright (without being intrusively femme partisan), that the account reads as very real indeed.-"Entertainment Weekly"
“McLain smartly explores Hadley's ambivalence about her role as supportive wife to a budding genius.... Women and book groups are going to eat up this novel.” —USA Today
“Written much in the style of Nancy Horan's Loving Frank ... Paula McLain's fictional account of Hemingway's first marriage beautifully captures the sense of despair and faint hope that pervaded the era and their marriage.” —Associated Press
“Lyrical and exhilarating . . . McLain offers a raw and fresh look at the prolific Hemingway. In this mesmerizing and helluva-good-time novel, McLain inhabits Richardson’s voice and guides us from Chicago—Richardson and Hemingway’s initial stomping ground—to the place where their life together really begins: Paris.”—Elle
“McLain’s vivid account of the couple’s love affair and expat adventures will leave you feeling sad yet dazzled.” —Parade
“Told in the voice of Ernest Hemingway’s first wife, The Paris Wife, by Paula McLain, is a richly imagined portrait of bohemian 1920s Paris, and of America literature’s original bad boy.” —Town & Country
“Novelist and memoirist Paula McLain traces the life of Hadley Hemingway, first wife of Ernest Hemingway, in this evocative novel set largely in Paris in the Jazz Age.” —Christian Science Monitor
“McLain's novel not only gives Hadley a voice, but one that seems authentic and admirable.... A certain amount of bravery is required in writing a novel that channels a giant of American literature. Yet McLain pulls it off convincingly, conveying Hemingway's interior life and his profound struggles. She makes a compelling case that Hadley was a crucial (and long-lasting) influence on Hemingway's writing life: a partner as well as a cheerleader. She also revisits, with remarkable detail, a singular era in history, one that would produce some of the greatest literary works of the 20th century.” —Newsday
“Engrossing and heartbreaking.... McLain is masterful at mining Hadley's confusion and pain, her crushing realization that she cannot fight for a love that has already disappeared.” —Cleveland Plain Dealer
“A well-crafted novel ... Paula McLain is a master at creating narratives that are so lively, they seem to leap from the printed page.” —Tucson Citizen
“One of the most important books of this year. McLain is a novelist to watch.” —Naples Daily News
"The Paris Wife is mesmerizing. Hadley Hemingway’s voice, lean and lyrical, kept me in my seat, unable to take my eyes and ears away from these young lovers. Paula McLain is a first-rate writer who creates a world you don’t want to leave. I loved this book." —Nancy Horan, New York Times bestselling author of Loving Frank
"After nearly a century, there is a reason that the Lost Generation and Paris in the 1920’s still fascinate. It was a unique intersection of time and place, people and inspiration, romance and intrigue, betrayal and tragedy. The Paris Wife brings that era to life through the eyes of Hadley Richardson Hemingway, who steps out of the shadows as the first wife of Ernest, and into the reader’s mind, as beautiful and as luminous as those extraordinary days in Paris after the Great War." —Mary Chapin Carpenter, singer and songwriter
“Despite all that has been written about Hemingway by others and by the man himself, the magic of The Paris Wife is that this Hemingway and this Paris, as imagined by Paula McLain, ring so true I felt as if I was eavesdropping on something new. As seen by the sure and steady eye of his first wife, Hadley, here is the spectacle of the man becoming the legend set against the bright jazzed heat of Paris in the 20s. As much about life and how we try and catch it as it is about love even as it vanishes, this is an utterly absorbing novel.” —Sarah Blake, New York Times bestselling author of The Postmistress
The bestselling author of The Paris Wife returns to the subject of Ernest Hemingway in a novel about his passionate, stormy marriage to Martha Gellhorn—a fiercely independent, ambitious young woman who would become one of the greatest war correspondents of the twentieth century
In 1937, twenty-eight-year-old Martha travels alone to Madrid to report on the atrocities of the Spanish Civil War and becomes drawn to the stories of ordinary people caught in devastating conflict. She also finds herself unexpectedly—and uncontrollably—falling in love with Hemingway, a man already on his way to becoming a legend. In the shadow of the impending Second World War, and set against the tumultuous backdrops of Madrid, Finland, China, Key West, and especially Cuba, where Martha and Ernest make their home, their relationship and professional careers ignite. But when Ernest publishes the biggest literary success of his career, For Whom the Bell Tolls, they are no longer equals, and Martha must make a choice: surrender to the confining demands of being a famous man's wife or risk losing Ernest by forging a path as her own woman and writer. It is a dilemma that will force her to break his heart, and her own.
Reviews
“In this heart-tugging follow-up [to The Paris Wife], we meet
Martha Gellhorn, a correspondent during the Spanish Civil War, who
was the third—and perhaps most intriguing—of [Hemingway's] wives. The
title says it all.”—People
“Propulsive . . . highly engaging . . . McLain does an excellent job portraying a woman with dreams who isn’t afraid to make them real, showing [Gellhorn’s] bravery in what was very much a man’s world. Her work around the world . . . is presented in meticulous, hair-raising passages. . . . The book is fueled by her questing spirit, which asks, Why must a woman decide between being a war correspondent and a wife in her husband’s bed?”—The New York Times Book Review
“[The] scenes of professional rivalry and seesawing imbalance are some of McLain’s best. . . . McLain’s legions of fans will relish the inspiration of a gutsy woman who discovers she doesn’t need a man at her side, after all.”—The Boston Globe
“McLain successfully turns Martha’s story into a romantic quest and Martha into a romantic heroine—though not a traditional one.”—The Washington Post
“Romance, infidelity, war—Paula McLain’s powerhouse novel has it all.”Glamour
“If you loved McLain’s blockbuster The Paris Wife, you’re sure to adore her new novel, which is just as good, if not better.”—AARP
“McLain’s strengths as a novelist are formidable, especially her ability to evoke a strong sense of time and place. . . . This novel is important not only as historical fiction but also as a reminder of the challenges that faced career-minded women such as Gellhorn in the mid-twentieth century. . . . McLain is also a master at ending chapters that make you want to turn the page and see what happens next.”—Houston Chronicle
“If love and war are two of the greatest themes in literature, they’re both here. . . . McLain’s dialogue, is, as Hem might say, good and true. She captures the passion Gellhorn and Hemingway feel for each other, and the slow erosion of trust on both sides.”—USA Today
“McLain takes another successful trip into historical fiction. . . . Readers will have to remind themselves that this is fiction as McLain draws a finely detailed portrait of the chaos and destruction spreading across Spain.”—St. Louis Post-Dispatch
“Engrossing . . . [Love and Ruin] spotlights a woman ahead of her time—a fearless reporter who covered the major conflicts of the twentieth century.”—Real Simple
“McLain’s ability to base a work of fiction on real people is nothing short of superb.”—BookPage
“Propulsive . . . highly engaging . . . McLain does an excellent job portraying a woman with dreams who isn’t afraid to make them real, showing [Gellhorn’s] bravery in what was very much a man’s world. Her work around the world . . . is presented in meticulous, hair-raising passages. . . . The book is fueled by her questing spirit, which asks, Why must a woman decide between being a war correspondent and a wife in her husband’s bed?”—The New York Times Book Review
“[The] scenes of professional rivalry and seesawing imbalance are some of McLain’s best. . . . McLain’s legions of fans will relish the inspiration of a gutsy woman who discovers she doesn’t need a man at her side, after all.”—The Boston Globe
“McLain successfully turns Martha’s story into a romantic quest and Martha into a romantic heroine—though not a traditional one.”—The Washington Post
“Romance, infidelity, war—Paula McLain’s powerhouse novel has it all.”Glamour
“If you loved McLain’s blockbuster The Paris Wife, you’re sure to adore her new novel, which is just as good, if not better.”—AARP
“McLain’s strengths as a novelist are formidable, especially her ability to evoke a strong sense of time and place. . . . This novel is important not only as historical fiction but also as a reminder of the challenges that faced career-minded women such as Gellhorn in the mid-twentieth century. . . . McLain is also a master at ending chapters that make you want to turn the page and see what happens next.”—Houston Chronicle
“If love and war are two of the greatest themes in literature, they’re both here. . . . McLain’s dialogue, is, as Hem might say, good and true. She captures the passion Gellhorn and Hemingway feel for each other, and the slow erosion of trust on both sides.”—USA Today
“McLain takes another successful trip into historical fiction. . . . Readers will have to remind themselves that this is fiction as McLain draws a finely detailed portrait of the chaos and destruction spreading across Spain.”—St. Louis Post-Dispatch
“Engrossing . . . [Love and Ruin] spotlights a woman ahead of her time—a fearless reporter who covered the major conflicts of the twentieth century.”—Real Simple
“McLain’s ability to base a work of fiction on real people is nothing short of superb.”—BookPage
“Wonderfully evocative . . . This is historical fiction at its best, and today’s female readers will be encouraged by Martha, who refuses to be silenced or limited in a time that was harshly repressive for women.”—Library Journal (starred review)
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